Her projects highlight the stereotypes and values of the society towards which she has a critical view, conceptualising a judgemental, but subtle message, always ironic and constructive. Some of the topics of her most recent projects in Romania and Israel bring up the illustration of recent memory and personal history, as well as the questioning of certain fragile reference points of the daily immediacy. As means of expression, Rasovszky opted both for a sort of anti-aesthetic drawing that is, nevertheless, refined through humour, and for conceptual installation.
